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Friday, March 4, 2016

【藝術電影】The Theory of Everything (2014 film)

【藝術電影】The Theory of Everything (2014 film)


​T​
he Theory of Everything (2014 film)
​ (Brief)​
https://en.wikipedia.org/wiki/The_Theory_of_Everything_(2014_film)
The Theory of Everything, review: 'tasteful and affecting'
​ - Review​
The True Story Behind The Theory of Everything - Time Review


Watch 'The Theory of Everything' (English Subtitles)
http://www.subsmovies.com/watch?movie=2980516

Monday, February 29, 2016

Is Mathematics Invented or Discovered?

Mathematics is the language of science and has enabled mankind to make extraordinary technological advances. There is no question that the logic and order that underpins mathematics, has served us in describing the patterns and structure we find in nature.
The successes that have been achieved, from the mathematics of the cosmos down to electronic devices at the microscale, are significant. Einstein remarked, "How can it be that mathematics, being after all a product of human thought which is independent of experience, is so admirably appropriate to the objects of reality?"
Amongst mathematicians and scientists there is no consensus on this fascinating question. The various types of responses to Einstein's conundrum include:
1) Math is innate. The reason mathematics is the natural language of science, is that the universe is underpinned by the same order. The structures of mathematics are intrinsic to nature. Moreover, if the universe disappeared tomorrow, our eternal mathematical truths would still exist. It is up to us to discover mathematics and its workings--this will then assist us in building models that will give us predictive power and understanding of the physical phenomena we seek to control. This rather romantic position is what I loosely call mathematical Platonism.
2) Math is a human construct. The only reason mathematics is admirably suited describing the physical world is that we invented it to do just that. It is a product of the human mind and we make mathematics up as we go along to suit our purposes. If the universe disappeared, there would be no mathematics in the same way that there would be no football, tennis, chess or any other set of rules with relational structures that we contrived. Mathematics is not discovered, it is invented. This is the non-Platonist position.
3) Math is not so successful. Those that marvel at the ubiquity of mathematical applications have perhaps been seduced by an overstatement of their successes. Analytical mathematical equations only approximately describe the real world, and even then only describe a limited subset of all the phenomena around us. We tend to focus on those physical problems for which we find a way to apply mathematics, so overemphasis on these successes is a form of "cherry picking." This is the realist position.
4) Keep calm and carry on. What matters is that mathematics produces results. Save the hot air for philosophers. This is called the "shut up and calculate" position.
The debate over the fundamental nature of mathematics is by no means new, and has raged since the time of the Pythagoreans. Can we use our hindsight now to shed any light on the above four positions?
A recent development within the last century was the discovery of fractals. Beautiful complex patterns, such as the Mandelbrot set, can be generated from simple iterative equations. Mathematical Platonists eagerly point out that elegant fractal patterns are common in nature, and that mathematicians clearly discover rather than invent them. A counterargument is that any set of rules has emergent properties. For example, the rules of chess are clearly a human contrivance, yet they result in a set of elegant and sometimes surprising characteristics. There are infinite numbers of possible iterative equations one can possibly construct, and if we focus on the small subset that result in beautiful fractal patterns we have merely seduced ourselves.
Take the example of infinite monkeys on keyboards. It appears miraculous when an individual monkey types a Shakespeare sonnet. But when we see the whole context, we realize all the monkeys are merely typing gibberish. In a similar way, it is easy to be seduced into thinking that mathematics is miraculously innate if we are overly focused on its successes, without viewing the complete picture.
The non-Platonist view is that, first, all mathematical models are approximations of reality. Second, our models fail, they go through a process of revision, and we invent new mathematics as needed. Analytical mathematical expressions are a product of the human mind, tailored for the mind. Because of our limited brainpower we seek out compact elegant mathematical descriptions to make predictions. Those predictions are not guaranteed to be correct, and experimental verification is always required. What we have witnessed over the past few decades, as transistor sizes have shrunk, is that nice compact mathematical expressions for ultra small transistors are not possible. We could use highly cumbersome equations, but that isn't the point of mathematics. So we resort to computer simulations using empirical models. And this is how much of cutting edge engineering is done these days.
The realist picture is simply an extension of this non-Platonist position, emphasizing that compact analytical mathematical expressions of the physical world around us are not as successful or ubiquitous as we'd like to believe. The picture that consistently emerges is that all mathematical models of the physical world break down at some point. Moreover, the types of problems addressed by elegant mathematical expressions are a rapidly shrinking subset of all the currently emerging scientific questions.
But why does this all matter? The "shut up and calculate" position tells us to not worry about such questions. Our calculations come out the same, no matter what we personally believe; so keep calm and carry on.
I, for one, believe the question is important. My personal story is that I used to be a Platonist. I thought all mathematical forms werereified and waiting to be discovered. This meant that I philosophically struggled with taking limits to infinity, for example. I merely got used to it and accepted it under sufferance. During my undergraduate days, I had a moment of enlightenment and converted to non-Platonism. I felt a great burden lift from my shoulders. Whilst this never affected my specific calculations, I believe a non-Platonist position gives us greater freedom of thought. If we accept that mathematics is invented, rather than discovered, we can be more daring, ask deeper questions, and be motivated to create further change.
Remember how irrational numbers petrified the bejesus out of the Pythagoreans? Or the interminable time it took mankind to introduce a zero into arithmetic? Recall the centuries of debate that occurred over whether negative numbers are valid or not? Imagine where science and engineering would be today if this argument was resolved centuries earlier. It is the ravages of Platonist-like thinking that have held back progress. I argue that a non-Platonist position frees us from an intellectual straightjacket and accelerates progress.

【藝術電影】​'​Revolutionary Road 2008​'​

【藝術電影】​'​Revolutionary Road 2008​'​ 

Watch 
​'​
Revolutionary Road 2008
​'​
 With Subtitles

從羅密歐到神鬼獵人 回顧李奧納多25年來的成熟蛻變

Revolutionary Road (film) - 
​Brief​
https://en.wikipedia.org/wiki/Revolutionary_Road_(film)
Revolutionary Road
​ - The Guardian Review​
​Like Men Betrayed - The New Yorker
Revolutionary Road By Richard Yates

Sunday, February 28, 2016

Miike Snow - San Soleil (live) (music video)

Miike Snow - San Soleil (live) (music video)
https://www.youtube.com/watch?v=3ffE0RIK_zc&index=1&list=RD3ffE0RIK_zc
"Sans Soleil"

Morning bled at the water's edge
The city was bringing me down
And my mind was on a ledge
Saying who's gonna help you now

Without sun we pull what feeds us
From the heat that's in between us
How can we expect to build a boat
Seagulls running everything

Hard, you make it hard, hard

It's all the opposite I think
The ladder runs side to side
Enough to make you want a drink
But there's no place to hide

Watching shadows within shadows within
They hide their dark selfs from the sun
And her voice is just a memory
You're not fooling anyone

Hard, you make it hard, hard
Hard, you make it hard, hard

【藝術電影】Oscars 2016: Who Should Win According to Variety Critics | Variety

【藝術電影】Oscars 2016: Who Should Win According to Variety Critics | Variety

Oscars 2016: Who Should Win According to Variety Critics | Variety
http://variety.com/2016/film/reviews/oscars-2016-who-should-win-1201713093/
Oscars: 5 Possible Upsets That Could Rock Hollywood’s Big Night
http://variety.com/2016/film/reviews/oscars-2016-upsets-bryan-cranston-christian-bale-1201711486/

watch 45 years free online
​ (best actor & best actress)​

​watch 'Trumbo' free​

Mad Max: Fury Road
http://variety.com/2016/film/reviews/oscars-2016-who-should-win-1201713093/


Mad Max: Fury Road
After three decades, director George Miller ups the ante on The RoadWarrior the same way that The Road Warrior upped the ante on the original Mad Max, and the result is mesmerising. No action scenes have ever been this fast or furious; watching them is like playing a nightmarish death-sport videogame. The dark beauty of the movie is that in every razor-edited shot, every slashing duel of rusty jalopies, there is always something at stake. Tom Hardy makes Max a broken-down wreck desperate to rediscover who he is, and Charlize Theron is the buzzcut avatar of a new matriarchy. She’s the soul of Fury Road, and fierce enough to burn you.

Mad Max: Fury Road
http://variety.com/2016/film/reviews/oscars-2016-who-should-win-1201713093/

【開眼電影網】愛在他鄉 Brooklyn
http://www.atmovies.com.tw/movie/fben42381111/
Brooklyn (film)
https://en.wikipedia.org/wiki/Brooklyn_(film)
愛在他鄉
https://zh.wikipedia.org/wiki/%E6%84%9B%E5%9C%A8%E4%BB%96%E9%84%89
在愛情和家鄉之間兩難!《愛在他鄉》回顧布魯克林的懷舊與浪漫
Brooklyn - Full Film ​
Brooklyn
​ (
2015
​)​

【Sci-Fi 電影】Twelve Monkeys (1995)

【Sci-Fi 電影】Twelve Monkeys (1995)

Twelve Monkeys
http://www.moviesub.net/watch/twelve-monkeys-1995/292.html

【藝術電影】The Owl’s Legacy: Chris Marker’s 13-Part Search for Western Culture’s Foundations in Ancient Greece

【藝術電影】The Owl’s Legacy: Chris Marker’s 13-Part Search for Western Culture’s Foundations in Ancient Greece 

The owl’s legacy: in memory of Chris Marker
The Owl’s Legacy (1989, Chris Marker)
Marking Time: Chris Marker and The Owl's Legacy
Thinking of Chris Marker’s The Owl’s Legacy (L’Héritage de la chouette, 1989)
The Owl’s Legacy: Chris Marker’s 13-Part Search for Western Culture’s Foundations in Ancient Greece
SIGHT & SOUND - THE OWL'S LEGACY - IN MEMORY OF CHRIS MARKER (1921-2012)


The Owl's Legacy (1989, Chris Marker) Part 1 - 13 

【藝術電影】《日月無光》Sans Soleil by Chris Marker - #2

【藝術電影】《日月無光》Sans Soleil by Chris Marker - #2

Let's enjoy a piece of mellow & reminiscing music ;

Miike Snow - San Soleil (live) (music video)
https://www.youtube.com/watch?v=3ffE0RIK_zc&index=1&list=RD3ffE0RIK_zc

25 Documentaries Everybody Should Watch
111. SANS SOLEIL (1983)

Sans Soleil - Brief
Sans Soleil - The First Minute
Sans Soleil - Chris Marker (trailer 30th anniversary)
Miike Snow - San Soleil (live) (music video)


Sans Soleil (1983) Intro 
Sans Soleil - Poetry will be made by everyone
Personal Effects: The Guarded Intimacy of Sans Soleil
Letter to Theresa by Chris Marker – Behind the Veils of Sans Soleil


Watch 'Sans Soleil' Online 
Sans Soleil (a.k.a. Sunless) 1983 -- (Movie Clip) Time Is Always Time
http://www.tcm.com/mediaroom/video/478508/Sans-Soleil-a-k-a-Sunless-1983-Movie-Clip-Time-Is-Always-Time.html
Sans Soleil (a.k.a. Sunless) 1983 -- (Movie Clip) Japanese Television
http://goo.gl/aLK4KX
Sans Soleil (a.k.a. Sunless) 1983 -- (Movie Clip) Guinea-Bissau
http://goo.gl/XzweFc



Sans Soleil, a 1983 film directed by Chris Marker, incorporates verbal ruminations on the nature of human memory: its nuances, fallibility, and perceptual shifts over time, with brief visual scenes from around the world. The film opens with a quote from TS Eliot:
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
Inspired by the themes in Marker’s film, I have attempted to dissipate memory even further by recording through diffraction grating, a video of the original Sans Soleil in its entirety. In Sans Soleil (Diffracted), I have removed the audio from the original film, and literally broken down its image into a projected visible spectrum as seen through a peephole. The result is an abstracted color field, a visible metaphor for the inability of memory to capture the entirety of an experience. The projection is a subtle suggestion of the original film, a recollection of a memory of a memory.